She was truly a lady.

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Our neighborhood is poorer as of yesterday with the passing of Shania, a lovely and charming Siberian Husky who shared her two bedroom, two bath, 1 1/2 garage home with my good friend (and best "man" at my wedding) Eileen Cantin.

Eileen writes in an email giving us the news: "Shania was an ambassador in the neighborhood, and a quiet greeter to anyone who came for a visit. She was a sweet companion who was much loved. She will be missed. Together she learned with Eileen after their buddy Silver died that life goes on in wonderful ways and good memories are a special gift."

Included with her message was this photo, which I took this past Saturday as we took a walk in the woods near Shania's home.

New iPod Shuffle - Apple gets a clue

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At the much-awaited September 9 Apple announcement, newly-minted organ donation cheerleader Steve Jobs and Apple surprised pretty much nobody by revving up the iPod line. The Nano muscles up in ways that will surely keep it at the top of the music player heap, and the Shuffle gets a right-sizing and pricing correction.

While not the top of the line, the iPod Nano is the real flagship of the iPod fleet, and it was given a huge boost in value with the addition of an FM tuner, pedometer, and video camera with microphone not to mention the most appealing new feature, a $20.00 price drop on the 16GB model. The addition of a camera has been rumored several weeks since photos leaked from a Chinese aftermarket manufacturer of new Nano skins with a hole on the back that could be for pretty much nothing other than a camera lens.

With the broadest range of upgrades, the Nano was the star of the show. The iPod Touch would have been had it gotten its long-rumored camera. (The MacBreak Weekly guys seem to think this is a temporary design glitch and the photo-capable Touch will come soon.) But it may be that the first item from the event to cause me to open up my wallet will be the less-sexy iPod Shuffle. Here's why:

I posted back in March (here and here) when the new button-less shuffle first came out about my misgivings on the design. While I think it is undeniably slick, the proprietary headphones with inline controls and $79.00 price tag has held me back up to now. Though I've made peace with the headphones, it's hard to spend $79.00 on a 4GB shuffle when, for only 60 bucks more, you can get all the navigation interface mojo and video playing goodness of the 8GB Nano. But now, in addition to pretty new colors to choose from, I can now choose to get a 2GB Shuffle for $59.00. I think this is smart.

Really, how many people need 4GB in a shuffle? The shuffle is a playlist based music player. You don't really need a huge chunk of space for your whole music collection in this type of player. At four gigs, it's doubtful that battery would last long enough to continuously shuffle through all the music through even once. Two gigs makes a little more sense. I'd load a Shuffle two or three podcast playlists, and a couple or three music playlists, and one or two audio books. That's probably only a bit more than one gigabyte of media.

When you buy a shuffle, you just know you are handing Apple one of the largest, if not THE largest, profit margins for any hardware product they sell. But a $59.00 price tag makes this easier to swallow than $79.00.

Prognostication From A Dark & Smelly Place

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I should probably start this entry by stating a few things that I am NOT. I am not an oracle or a psychic. I am not a Canon fanboy and am not in the Canon inner circle or connected with the company in any way. I am not a Canon evangelist or a Nikon detractor. (I have a spreadsheet calculating the cost/benefit of a switch to Nikon to prove that.)

Recently, a mole at Best Buy revealed new UPC product database entries had been created for the Canon G11, S90, and 7D. That a G11 was eventually coming is a no-brainer. The "G" series has updated on a more-than-annual basis for years.

The S90, on the other hand, is thought to be a much more counterintuitive development. I have to take other web posts at their word on this, since I do not follow developments surrounding this type of camera. But, if we accept that the S90 prediction was either based on fact or an exceptionally lucky guess, the 7D gets added credibility, as well as a blogospheric tornado of speculation on it's specifications.

To amalgamate the myriad estimations of 7D capabilities, the new camera will most probably:

• be anywhere from 12 to 21 megapixels.
• have one, or perhaps two, digic IV processors or debut a Digic V.
• do HD video up to 1080p.
• have a 3.9 framp-per-second shooting rate.
• or, maybe, 8 fps.
• or 5 fps. Who knows?
• slice.
• dice.
• chop.
• make julienne fries.
• cost about $2700.00 (body only).
• or around $1700.00.
• have built-in pop-up flash. Or not.
• employ an APS-C 1.6x crop sensor.
• Oh, never mind. It's full-frame.
• have 15 focus points.
• No, make that 19 focus points.
• why not one meeee-lee-uhn focus points?.
• give you oral pleasure.
• ISO 50 to ISO one meeee-lee-uhn.
• have weather sealing comparable to EOS 1D MkIII.

The preceding list, delivered with tongue causing a rug burn on the inside of my cheek, goes to show how useless any speculation, including my own, truly is. As the old saw goes, "Anybody who knows isn't talking, and anybody who's talking doesn't know."

But what the hay? Speculatin's fun.

I went on record with an email to my friend Ron Wise over a week ago with the following predictions for the 7D:

• 16-ish MP with one or two sRaw modes
• up to 1080p video
• motor at least 6.5 fps
• 1.3x crop
• "real" ISO ratings to 6400, with "cheats" up to 25K
• one CF and one SD card slot

As I read this a week later, I find I still agree with myself. Nothing there is a particularly earth-shattering or out-of-the-box prediction with the possible exception of the 1.3x crop. I haven't seen that prediction anywhere else on the web. And like every other prediction out there, I pulled that out of a very dark and smelly place. But it still sounds right to me. And here's why:

I think Canon has realized (or should realize) that the advanced amateurs at whom the 10D thru 50D series has been aimed are just about played out on 1.6x crop sensors. Nobody who has shot with or even looked through a 5D has not pined for a larger sensor. Another 1.6x sensor is not going to excite like an upgraded 1.3x sensor would.

Also, as I recall, the 10D debuted at about $2000.00, and the 50D is now listing for $1199.00. That's at least a 40% deflation in price in a relatively short few years, which has to cut deeply into profit margin. If, as some have suggested, a 60D is also about to be released, the expectation will be for a big boost in features at the same price, or an incremental improvement for at least a slightly lower price. Video capability of the Rebel T1i notwithstanding, the current 50D is a significantly more solid-built camera with many more features than the Rebel for not a lot more money. Canon surely wants to introduce a new pro-sumer toy that can command a larger profit margin. 1.3x crop on the sensor will help with this.

Releasing a 60D simply does not make sense to me. Releasing a 60D alongside a 7D would be market-diluting lunacy.

The sleeping giant through all this 7D rumoring is the surely-impending update in the 1D line. But lately I've been wondering if it is still going to be a "line" at all. Without a doubt, the Nikon D3 is the camera to beat right now. And Nikon has apparently abandoned any kind of crop sensor on it's pro cameras. Would this not put pressure on Canon to do the same?

I suspect we have seen the last EOS 1DS camera. The next pro camera will be full-frame and the APS-H sensor format will go by the wayside for pro Canons. That's another reason I think the 7D will be 1.3x crop. It will essentially fill the niche that will not be filled by a successor to the current 1.3x-crop 1D MarkIII (at least in my fevered imagination).

Were I CEO of Canon, engineers would have been tasked many months ago to design a camera with the fullest flexibility for any pro shooting situation. Need to shoot a full-bleed magazine cover or a portrait suitable for extensive retouching and uber-large reproduction? Shoot 25-30 megapixels with motor speed of around 5 fps. Shooting a fast paced sporting event where most of your work will display half-page or less in print or on the web? Drop down to about 12MP resolution and crank away at 10 or 12 fps.

Essentially, to regain it's competitive leg up, Canon should strive to deliver a camera that combines the Nikon D3 and D3X into one machine, and do it at around the price of the D3. In today's economy, few professionals have the luxury to specialize only in high-end commercial work at the expense of fast-paced editorial photography. And top-line cameras should not force professionals to pay top-dollar for a "specialist" SLR.

But wait! There's no more. . . Billy Mays

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The world got a little bit quieter last weekend as verbally boisterous info-mercial pitchman Billy Mays succumbed to an apparent heart ailment. By all accounts, Mays was quite a nice guy (but then, few people get negative reviews after they pass away). That said, I can't personally say I will miss his yelling at me about Oxyclean or the Awesome Auger.

It does kind of make me feel bad about the joke I made a couple of weeks ago about how the gadget I'd most like to see Mays hawking would be an electronic device that automatically mutes my television whenever a loud, obnoxious voice comes on.

Anyway, rest in peace (and quiet), Mr. Mays.

AppleScript To The Rescue

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I'm posting an AppleScript I just wrote which I hope might be useful to some people who listen to podcasts in iTunes. Paste the script text shown below into a Script Editor window and save it as a compiled script in the iTunes Script folder. After you re-launch iTunes, you will be able to invoke it from your Script menu in iTunes. The purpose of the compiled script is to skip forward 30 seconds in the currently playing track. Some folks may have other uses for it, but I find it very handy to jump forward quickly when certain podcasts go into "commercial mode."

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tell application "iTunes"

playpause

set _playhead to bookmark of current track

set bookmark of current track to (_playhead + 30)

playpause

end tell

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I'd like to refine it further with voice recognition algorithms so it will automatically skip forward 2 minutes any time Leo LaPorte says "Go to Meeting," "Audible.com" or "Drobo," but I confess that is beyond my skill level at this point.

I'd also like to take this opportunity to plug a great place to find other scripts that extend the capability of iTunes in many unique ways, Doug's AppleScripts for iTunes, a fine site run by Doug Adams.

Enjoy.

Oh, what a difference a daylight balance makes.

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Here are two more HDR's from last Saturday night, this time of the Melvin and Bren Simon Cancer Center, part of the Indiana University School of Medicine in Indianapolis, IN. In the case of the photo above, I set the white balance on the camera to the Tungsten setting, although often I will set the white balance with a gray card based on whatever weird lighting is on the scene.

Compare that with the version shot with daylight balance below. Both look pretty good, and it's a matter of preference, but I like the heightened contrast between warm and cool colors, as well as the deeper blue sky, in the tungsten version.

The software I use to create and tone-map HDR's, Photomatix, does allow adjustment of white balance, but I find that setting rather limited in the range of adjustments. Therefore, I always consider doing multiple exposure series at different white balance settings.