Compare that with the version shot with daylight balance below. Both look pretty good, and it's a matter of preference, but I like the heightened contrast between warm and cool colors, as well as the deeper blue sky, in the tungsten version.
The software I use to create and tone-map HDR's, Photomatix, does allow adjustment of white balance, but I find that setting rather limited in the range of adjustments. Therefore, I always consider doing multiple exposure series at different white balance settings.
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